Hey Karen. Remember when you encouraged me to make this and no one reblogged?
But it worked with Benny’s hand, how was I supposed to know people would suddenly spontaneously suck?
Okay but this is obvious there’s no way no one can recognize that
how the fuck do people not recognize this
i’m not even a part of that fandom and I know whose fucking mouth that is
do you know how happy these make me
Buddhist monk Thich Quang Duc sets himself ablaze in protest against the persecution of Buddhists by the South Vietnamese government, 1963.
Malcolm W. Browne/AP
“Because of what I knew of the Buddhist tradition in Vietnam, I realized that it had to be taken seriously. So while other correspondents got tired of the endless Buddhist street demonstrations that were going on all that summer, I stuck with them, because I had the sense that sooner or later something would happen. I became a familiar presence at the main pagoda in Saigon. The monks knew that I appreciated their cuisine. We were friendly. One of them was a Yale graduate, as a matter of fact. And I was sincerely interested in what they were doing, quite aside from the news value of it.
One monk in particular would telephone me in advance the night before something was planned. One night he advised me to come to the pagoda at seven the next morning because something very special and important was going to happen. He sent the same message to half a dozen other American correspondents, but they all ignored it. I did not. That was all.
That morning a Buddhist monk went out and sat down in a main intersection in downtown Saigon. Two of his fellow monks poured gasoline over him, and he set himself on fire and died. I was there, the only western correspondent present and taking pictures. I suppose I took six or eight rolls of 35-millimeter film.
It was clearly theater staged by the Buddhists to achieve a certain political end. At the same time, there was a human element to it that was just horrifying, because the sequence of pictures showed the initial shock of the flames touching his face, and so forth. He never cried out or screamed, but you could see from his expression that he was exposed to intense agony, and that he was dying on the spot — and then, in the end, when the body was rigidly burned, they couldn’t stuff him into a casket because he was splayed out in all directions. As shock photography goes, it was hard to beat. It’s not something that I’m particularly proud of. If one wants to be gruesome about it, it was a very easy sequence of pictures to take. Work is a great panacea for the horrors of that sort of situation, or of a battle, for that matter. I think combat photographers are very conscious of the idea that the real fear comes later, after they get home and develop their film and have a look at what they were through. Then they are aware that they nearly died.
It was a picture that meant many things to many different people and interests. The Chinese and the North Vietnamese regarded it as a wonderful propaganda picture, and of course they labeled it “A Buddhist priest dies to oppose U.S. imperialism and its influence in Vietnam.” In the United States, it was regarded as a picture of a martyr who had died for a worthy cause, and therefore other Americans should support the overthrow of an autocratic Catholic government that had been supported by President Kennedy.
I’ve been asked a couple times whether I could have prevented the suicide. I could not. There was a phalanx of perhaps two hundred monks and nuns who were ready to block me if I tried to move. A couple of them chucked themselves under the wheels of a fire truck that arrived. But in the years since, I’ve had this searing feeling of perhaps having in some way contributed to the death of a kind old man who probably would not have done what he did — nor would the monks in general have done what they did — if they had not been assured of the presence of a newsman who could convey the images and experience to the outer world. Because that was the whole point — to produce theater of the horrible so striking that the reasons for the demonstrations would become apparent to everyone. And, of course, they did. The following day, President Kennedy had the photograph on his desk, and he called in Henry Cabot Lodge, who was about to leave for Saigon as U.S. ambassador, and told him, in effect, “This sort of thing has got to stop.” And that was the beginning of the end of American support for the Ngo Dinh Diem regime.”
100% sure im ugly as hell and yet I still expect to be in a relationship with a hot person
I ALWAYS reblog this.
well son, it all started when your mother liked my selfie
what if someone wrote a book and the plot was basically amazing and the characters were awesome and at the end of the book, you’re dying to know what happens, all you see is a ripped page and the author actually did it on purpose and you’ll never know what happens because all the other published copies are like that too
calm down satan
Time to play a new game:
Make sure John Green doesn’t find the thing
- When not all the books in the series are the same height.
- When books change covers with editions so they don’t all match unless you buy the series in one go.
- When some books are hardcover and some are softcover and it doesn’t match but you can’t find another copy.
- When some covers are different in certain countries so you don’t get the main one which also happens to look better than all the other varieties.
- Basically just books.
- God damn them.
I think the weirdest thing is that the person you’re going to marry and spend the rest of your life together with is currently walking the earth, living their own life, going to school or going to work or whatever, doing all these things and making all these memories that you’ll get to hear about from them years from now.
but what if they’re not on earth